Movies seen at Panic Fest 2022
I tried to see as many movies as I could, which ended up being 15 feature length films and 3 short film showcases. I tried to write small bits about each movie I saw, with as few true spoilers as possible, though I think that definition is in the eye of the beholder. . Especially with the shorter films, that means that what I could write without spoiling things was very very brief.
While all films made with limited budgets, which describes almost all current horror films and definitely almost all of the new films shown at this fest, tend to have a small cast and crew, I was specifically looking to the films this year to make interesting use of the small casts and crews that working during the pandemic would have imposed on them. One of the films used the spread of a virus as it’s main theme. Another film was set during the pandemic and I think used that very well. As someone both interested in limiting the spread of the coronavirus whenever possible, both as a healthcare worker and as a human, and as someone interested in the logistics of filmmaking, I definitely paid attention to the ways in which these films may have been made in one way solely because of the pandemic.
Without further ado, here are the movies that I saw at Panic Fest 2022 (including one featured in the picture above):
Friday
Bitch Ass - My first movie of the Fest, picked to see in the theater with others after hearing podcaster Elric Kane talk about seeing it in person with a crowd. This black horror movie, introduced by Candyman himself Tony Todd, name checks movies such as Blackuka and The People Under the Stairs. To gain entry into a gang, a group of four teens break into a house only to find they are the guests of a board game obsessed killer, playing him for their lives. There are plenty of laughs and some surprisingly well done gore, for a lower budget movie. I was glad that I saw it in person, though I keep thinking about what it might be like to see it in a theater like I grew up going to, in a largely African-American community.
The Sadness - The title of this film does not at all fit. Directed by Canadian Rob Jabbaz, this Taiwanese film is hyperviolent and gory. It will definitely end up on the Iceberg of Disturbing movies, probably just below the water line. A young couple try to get back to each other while a virus quickly spreads across their country, turning people into sadistic killers. The gory physical and sexual violence was quite disturbing. While the movie does touch on the question of if the virus is overriding people's sense of right and wrong or if it is just unleashing what is already inside of them, I felt like that got a bit lost in all the blood and violence and rape-y-ness. This movie does earn all the trigger warnings and is not for the faint or even not so faint of heart.
Saturday
Watcher - Introduced as Argento with a little bit of Demme, this was a good movie to cleanse the palate after The Sadness the night before and to start the longest in person day of the Fest. A woman moves with her husband to Bucharest for his job. While she is trying to learn it, she doesn't speak Romanian and must rely on her husband to translate or the hope that others speak English to communicate. We feel her isolation as she moves through the city or sits alone in their apartment while her husband works long hours. While we watch her, she watches her neighbors, only to find one watching back. Especially as a woman, the movie makes you question what is the difference between his gaze and her's, between a man following someone and a woman following them. All this is complicated by a serial killer murdering young women in the neighborhood. I really liked this one and the questions it lead me to while also having a very satisfying ending.
Surf 2 (with Joe Lynch) - Other than enjoying it with other people on big screens, I think the most fun thing about film festivals are the guests and the movies they bring. Sometimes it's new movies, but often it is older movies. Director Joe Lynch decided to bring Surf 2, a low budget surf horror comedy from 1984 with a great new wave and punk soundtrack and tons of "hey it's that guy!" actors. In a packed theater, it was a ton of fun. Quintessential 80s nerd Eddie Deezan is using his special Buzz cola to turn the surfers of Santa Monica into goth punk zombies, hoping to ruin the big surf contest. Full of puns, dad jokes, 80s teen raunchy humor and gratuitous tit shots, it is awesomely bad and a great time.
Dawn Breaks Behind the Eyes - I had to come back to write about this after I saw it because I didn’t quite know how I felt about it. What started out as a rehashing of arty-70s European horror movie, where a couple end up trapped in the house that the wife’s family have left her just like they are trapped in their marriage, becomes something else after the first act. But is it a movie about people who made these films during that time? Or a treatise on time and relationships and fidelity? This is where it got a bit murky. I was hoping for something that cleared things up a little bit more, but didn’t get anything. Maybe I could find clarity on a second watch or by talking to someone else who had watched it. It did have a higher budget and a more polished look for such a small production and definitely pulled me back to that time period, though I’m not sure it was the best film for the middle of the afternoon doldrums on the longest day of the fest.
Sleepwalkers (with Mick Garris) - This movie is celebrating it's 30th anniversary this year. Director Mick Garris came to introduce his first collaboration with Stephen King and do a Q&A afterwards. I remember seeing this movie on VHS when I was 12 or so. The movie about incestuous mother and son cat-human beings, who somehow are only vulnerable to actual cats, trying to seduce and kill a female virgin in a small town gave me lots of weird feelings at the time. The movie was a cheesy good time, a throwback to a post-slasher, pre-meta time period in horror movies. I really liked hearing the very good-natured Garris talk about making the film at a time when $9 million was a small indie budget for a Hollywood film.
Sidenote: The song Sleep Walk by Johnny and Santo is played over and over again in the movie. It happens to be heavily sampled in a song Never by my husband and I's favorite nerdcore rapper Schaffer the Darklord. Everytime it played, we both wanted to start the first verse. This was the first movie my husband got to join me for and it was made all the better by having our own little in-joke the whole time.
Allegoria (with Krsy Fox and Spider One) - The last time I went to Panic Fest, I feel like I had heard more about the movies beforehand and had many that I really wanted to see. This time, I largely made my decisions first based on what was "in theater only," knowing I would try to watch as many as I could virtually at home in the next week. That means that I went into most of these movies blind. I didn't realize that this film was made by the front man of Powerman 5000 or that he and the film's star /writer /editor would be there as well. The film is an out-of-order series of related scenes about the horrors of the creative process for different kinds of artists, from an actress to a painter to a screenwriter to a sculptor. It was creepy, with several slowburn scenes, and funny, without being a comedy. Another aspect of this fest is that many of these films were made during the pandemic. It was really interesting to hear the filmmakers talking about making it during their height of the pandemic as well as seeing how the film itself worked around the pandemic, having a small crew and budget, and having a very short shooting schedule (6 8-10 hr days.)
Sunday
Shorts Block #1 (Watched virtually at home)
Munkie- Young Asian-Canadian woman who's strict father disproves of her boyfriend sets up a robbery-murder of her parents.
Tapehead- Faux documentary of a man who is obsessed with getting horror VHS tapes who ends up being strangled by a VHS tape that was eaten by the VCR. I thought this one was really fun and low budget and would definitely want to show it to others, maybe as an into to watching VHYes.
Viral - Everyday Joe who wants viral video fame hits something with his vehicle and gets got. Interesting use of changing found footage for the changing times.
Hip Cat - Actor gets roped into snobby dinner party and chased off with pitchforks. This one was a little difficult to understand why things were happening.
The Sound - Woman goes deaf suddenly. Two years later, she starts to be able to hear something again.
The Courier - motorcycle delivery driver picks up delivery only to be drugged and given weird egg thing.
Monday
Masking Threshold (Watched at home virtually) - A man who has been hearing a sound for three years, but finds that doctors have been unhelpful in diagnosing or treating him, decides to conduct and record his own experiments, to be posted on the internet. He starts from a place of very strict scientific experimentation and atheistic belief but becomes more and more unhinged as the movie progresses. Shot so that we never see the narrator's face, only glimpses of his body, and inside one small room of his house, it is an interesting experiment in film. Even at 90 minutes, it did start to feel a little drawn out, but I have an appreciation for people trying to do something different in a subgenre like found footage.
When the Screaming Starts (Watched at home virtually) - When a documentary filmmaker decides to make an aspiring serial killer the subject of his new film, he gets something different than he bargained for. This faux documentary definitely looks like what it claims to be, though unlike movies like What We Do In the Shadows, it also asks the question of what culpability does the person making this documentary have in the killings? This was a more light-hearted British horror comedy that I liked a lot.
Woodland Grey (Watched at home virtually) - Ok so there is always a point in the fest when you hit a wall. This seems to be it for me. I just couldn't keep super interested in this movie and there was a lot of "what is everyone's backstory here?" going on. A man living in the wilderness helps save a young woman. She finds something out back in a shed and things go poorly from there. What if you go into the woods to get away from the things in your life that are haunting you? What if they just find you there? What if they won't let you leave?
Short film showcase #2 (Watched at home virtually)
Super Host - Some weirdos stay in a woman's home as an Airbnb and leave something haunting behind.
Lucid - Made during the 48 Hour Horror Film contest, this short features a couple who find their walk taking way longer than it should after a woman in a surgical mask warns them against continuing. Nice little ending wrap up.
Still Together- Starts with an upbeat 80s movie intro and drops our main character into a male mannequin comes alive at Christmas 80s film. Someone saw the 80s movie mannequin and decided to ask what horrific thing would happen if that happened.
Weee Wooo - Woman at a ski lodge inexplicably goes deaf and then, just as inexplicably to me, goes outside in the middle of the night to see what weirdness is going on out there.
Smile - Depressed woman told to smile. Creepyness in her apartment.
My Friends the Plants - Cute little faux documentary about a woman who is trapped by the plants that mysteriously showed up at her house and only drink blood. Once again, some inexplicable decisions were made but the cuteness made up for it.
The Gift - Aliens appear in the sky, but do nothing to show themselves for a long time until they visit a young boy one night with a gift.
The Last Christmas - There is a movie on Netflix from several years ago where a little girl wants to prove to everyone that Santa really exists so she makes plans to catch him. She actually does and hi-jinks ensue as she and her older brother have to try to save Christmas. Santa is a still hunky Kurt Russell. This is the horror movie take on that same idea. What if you were a kid trying to prove to other asshole kids that had made fun of you for your belief in Santa but everything went horribly wrong?
Wednesday
Presence (Watched at home virtually) - Two 20-something women with a big business idea go on the yacht of a billionaire who claims to want to be an investor in their idea. Everyone has secrets and some ulterior motives and maybe even an evil spirit inside them in this pretty and fairly polished film.
Some Visitors / Lux Aeterna - This was the last film that I saw at the theater and I was very glad I did. The gruesome short Some Visitors put an interesting spin on the home invasion thriller. After the suggestion from Colors of the Dark Podcaster Elric Kane to see Lux Aeterna in a theater, I decided to push myself. It brought up interesting questions about female directors, female actors, and how both are treated in the film industry, though the lead character still has to go through what we the audience looks to be torturous for her, so are we complicit? Maybe that is why director Gasper Noe also makes the audience go through a similar sensory experience, so that it is not just the actor who goes through it. This movie is definitely not for people who have light sensitivity or get overwhelmed by movie club scenes from the 90s and 2000s with lots of flashing light.
The Abandon (Watched at home virtually) - A soldier injured in a firefight wakes up alone in a small room with mysterious physical properties that seems to be testing him. He starts to communicate with another woman who is in a room just like his and they attempt to work out where they are, why they are there, and how to get out. Even though my husband and I guessed at many of the answers only a few minutes before the movie got there, the characters were smarter than in most films and we both liked the “what if” conceit of the movie, which I don’t want to spoil.
Friday
Ego (Watched at home virtually) - After The Watcher, I think this may have been my favorite film of the fest. My husband liked it a great deal too. Low-budget, very few characters, both pandemic-made and pandemic-set, this was a movie about an 18 year old woman, already going through some mental health issues and the recent death of her father, who finds someone who looks just like her as she is using a dating app during a Covid-lockdown. This was creepy and “what the fuck?” and “is she crazy or is something really going on? If something really is going on, then what and why?” I was really glad that we pushed through and watched this.
Saturday
Malibu Horror Story (Watched at home virtually) - With the festival coming to an end and wanting to find something that we could watch with my 14 year old step-daughter, I took a chance on this one and I think it went well. In this film that is a mix of found footage, more polished show, and regular filmmaking, a group of youtube paranormal investigators go into a cave that was a Native American sacred space to find paranormal evidence of what happened to a group of teens who disappeared ten years earlier. Obviously, they get more than they bargained for. I really loved the use of found footage combined with the other filmmaking approaches. There were some poor decisions made at the end of the film though.
Sunday
Short Film Showcase #3 (watched at home virtually, last thing watched from the fest)
Shifter - Lots of inexplicable decision making in this short where a woman is talking on the phone with her partner when someone who looks like him also shows up.
Velma - The production design on this movie was amazing in its 1970s home decor, hair, and costuming, and wacky foods. Poor Velma laments in voiceover how she thought this date was going to go well as we watch each man eat her weird 1970s dishes and then go off hand in hand with her. With each date we see more and more until we ultimately find out what has been going wrong on each date.
Shiny New World - This was the best short of the three showcases that I watched by far. Shot in the cheery style of a new employee training video, you are introduced to your job as a cleaner for the Shiny New World company. While these vacation bungalows are often used by families, sometimes they are also used by teenagers with Necronomicon-esque books, with gruesome results.
The Specter of Weeping Hill - A woman digs up a grave to face her fears.
Caregiver - A student documentarian interviews a young woman who is a caretaker for her father as well as volunteering with the elderly.
You Missed a Spot - Masked serial killer in a world where everyone is a clown.
Lethalogia- Lethalogica is the inability to remember a particular word or name. In this short, a couple trace back the events of their night to try to remember “What was that thing you said earlier?”
Creator- What if the AI that was created to filter the worst of the worst content on the internet decided to use all that it had seen to create its own real life content?
Neighbors- A man plant-sitting for his friends finds they have loud creepypasta neighbors.